Tag Archives: Camp NaNoWriMo

Preparing for NaNoWriMo

The setup for NaNoWriMo at home, if I need to ...

The setup for NaNoWriMo at home, if I need to be portable. Long exposure lit by sweeping aLED flashlight over the scene. (Photo credit: Wikipedia)

 (I began this post before this event; I’ll state what I didn’t do.)

… or Camp NaNoWriMo, which I’m doing right now… which is why I haven’t updated this site in a week.

Camp scene, preparing for dinner, by Buell, O....

Camp scene, preparing for dinner, by Buell, O. B., 1844-1910 (Photo credit: Wikipedia)

Here are some tips to achieve your word goal in the month (50, 000 for NaNo, variable for Camp – I’m writing a 20, 000-word project, for example):

1. Avoid distractions

Scrivener can do distraction-free writing via its full-screen mode. The text editor part  is all that you see. You don’t see the Binder, or the menus,  or anything else. All you have to focus on is writing.

Scrivener (software)

Scrivener (software) (Photo credit: Wikipedia)

There are more distractions that you should avoid. Avoid e-mail, Twitter, and (especially) Facebook; most of it is flashy graphics that draw your attention away.

Twitter

Twitter (Photo credit: Wikipedia)

I failed on most of this. My blog subject list is in Drive, so I was usually in Gmail. I had my Twitter feed open at all times and kept it open to check on. As to Facebook… there’s a good reason that it has the nickname ‘Wastebook’… I was on it constantly.

2. Word-Padding is Your Friend

Always write full character names. Don’t use contractions; spell each word. Your fingers accidentally space words out? Leave them in. You don’t need the word ‘that’ in a sentence? put it in anyway. Adverbs slow a sentence down? Doesn’t matter. Use them anyways.

For NaNo / Camp NaNo quantity is your goal, not quality. The next point will talk about that fact.

At first, I didn’t  fully embrace this. I tried to correct my typos. I got out of it eventually.

3. This is the First Draft

Cleaning up what Ernest Hemmingway said about first drafts, they are not pretty.

Feel free to write scenes that you will cut in later drafts. They will add words now; you can cut them in later drafts.

I did this one. I wrote some scenes that I know I’ll cut later.

4. Ignore Your Inner Editor

As you write you’ll hear a voice in your head correcting your words and critiquing your scenes. Ignore it.

It’s the voice of your Inner Editor trying to slow you down. It will stall you  if you let it.

I didn’t.

** update **

Here's a tip that some people use, but I don't:

Some people count the words that they write for other projects in this one. I'd consider doing this cheating myself.

conclusion

Use these tricks and (unlike me) you might win.

 

Pantsers vs. Plotters

With me starting at Camp NaNoWriMo on July 1st I thought that I should explain the difference between these two story methods, and what I do or don’t.

“Pantsers”

This is an expression, short for “writing by the seat of your pants”. A writer goes into a project with nothing planned and just writes what comes to them. They have no characters planned, no scenes either. They just make everything up as they go along writing.

For some people this is the best way to work on a project. They are always surprised by what appears on their screen (or on their typewriter / paper), and as a result don’t have many predictable turns in their stories.

Me? I ‘ve tried it for many years — and won the first 4 — but it proved to be too open for me. I needed more structure to guide me.

Outliner

The opposite alternative is to work from a detailed outline of your story. Even the characters are defined — in name, personality is sketched, their character File:Plotextraktor.pngarcs are mapped  out, the works.

Some people like that level of planning. They can come to finish novels often that way.

Personally, I find that much structure too much. I like to have some measure of surprise in my writing, so control to that level I find stifling.

That led me to an alternative:

not snowflake

File:Snowflake11 2.png
Here‘s a description of how it’s done.

I find this method still tends to be too stifling. It still doesn’t leave room for surprises and twists.

Instead I use a hybrid method that incorporates story beats.

the beat goes on…

I create character sketches, and I outline some scenes (like the end) but I leave the rest open, so that I can still come up with other scenes that will surprise me.

I guess you would call it planned chaos.

chose your own way

Note that this is how I do it.  You may chose to do things differently; say how in the comments.